I often work intuitively, marking out and sawing by hand, allowing myself to be absorbed in the flow of making. I take a maximalist approach to my work by layering up decorative surfaces and combining a mixture of techniques, etching, roller printing, keum boo, gold plating and oxidising.  These combinations result in a richness and opulence, and what at first glance might look like a Greek headdress, or a baroque frame, on closer inspection is imbued with a contemporary aesthetic.